REPERTORY BALLETS
AEIA BRIDLED
A contemporary look at the relationship between horse and master. Very cutting edge modern style dance. Kobuki styled lighting and original music by Stella Sung and Cirque du Soleil choreographer Rick Tjia adds to the intrigue. Cutting edge contemporary dance.
Choreography: Rick Tjia. 5 dancers. 20 minutes.
AFTERNOON OF A FAUN
In the middle of a sun-kissed day, a faun tentatively approaches a beautiful young woman. The ensuing dance portrays the tender feelings between them. Contemporary ballet.
Choreography: Kim Tuttle. 2 dancers. 10 minutes.
ALEATORIO
Bright, jazzy and often tender, this contemporary ballet pops from one extreme to the other. Dancers are costumed in brief shorts with a leggy yet elegant muscularity. Contemporary ballet.
Choreography: Judy Skinner. 10 dancers. 25 minutes
APOLLO*
The favorite ballet of Artistic Director Kim Tuttle, this masterpiece from the brilliant mind of George Balanchine set to the inspired music of Igor Stravinsky evokes the athletic glory of the young god, Apollo and his muses. It requires a great dancer to dance the lead role and glorious women to share the stage. Dance Alive National Ballet has the distinct honor of being the first company in Florida to perform it. Neo-classical ballet.
Choreography: George Balanchine. 4 dancers. 22 minutes.
ARIAS
The gift of song in operatic form is the basis for this eloquent ballet. From ‘Tosca’ to the ‘Merry Widow’, the dancers evoke the great passions of the great operas. A piece filled with variety in movement and mood. Very uplifting. Classical ballet/contemporary ballet.
Choreography: Kim Tuttle. 10 dancers. 22 minutes.
BAILERO
An exquisite pas de deux. Dancers float and emote against a night sky to the moving music of Joseph Canteloube’s ‘Songs of the Auvergne’. Touching, the girl, in a skin colored costume, lets her hair glide across her lover’s arms.
Classical ballet.
Choreography: Cristina Helena. 2 dancers. 5 minutes.
BOLERO
The signature piece of this company, this sensual masterpiece by Kim Tuttle shows the strength of the company – the sheer love of movement, energy and expression. A very powerful piece, the audience leaps to their feet in applause at the close of the stunning finale. Contemporary dance.
Choreography: Kim Tuttle. 8 dancers. 15 minutes.
BLACK SWAN Pas de Deux
The brilliant pas de deux excerpted from Swan Lake is a virtuoso showcase and ultimate challenge for all classical dancers. Exciting and dynamic, it is a staple of every ballet company. Classical ballet.
Choreography: Petipa. 2 dancers. 10 minutes.
CONSTELLATIONS
A breathtaking panorama of projections from the Hubble telescope depicting the vivid beauty of galaxies forms the backdrop for this brilliant and highly recognized ballet. Costumed in hand painted colored unitards, the dancers soar against the night sky, bringing their audience to a standing ovation. The first ballet conceived in partnership with AOTO, Art of the Olympians, inspired by composer Stella Sung and artist Olympian Liston Bochette, III.
Contemporary ballet.
Choreography: Kim Tuttle. 10 dancers. 25 minutes.
GRAND PAS DE DEUX from ‘DON QUIXOTE’
Perhaps the most well-known single pas de deux in the entire repertoire of ballet, this dance excites the audience with its Spanish flair and technical demands. Only the highest level of dancer can perform this – with balances, lifts, leaps and turns, it challenges the dancer, while thrilling the audience. Can be done with additional dancers as a suite. Classical ballet. Classical ballet.
Choreography: Marius Petipa. 2 dancers/4 dancers 8 minutes.
GRAND PAS CLASSIQUE
A classical pas de deux in the grand tradition, with additional dancers to supplement the impact. Stunningly beautiful, this requires the ultimate in classical dancers. Classical ballet.
Choreography: Victor Gsovsky. 6 dancers. 8 minutes.
INCERTEZZA
Written in 1938, this powerful work was composed as a direct response to the imminent Nazi invasion of Czechoslovakia. Composer Martinu never saw his homeland again. The ballet reflects some of the fear and terror that, brought about by internal or external forces, causes uncertainty. Classical/contemporary ballet.
Choreography: Judy Skinner. 7 dancers. 18 minutes.
FUSED TUTU
Fusing contemporary dance and classical ballet with Bach and African music, this truly interesting and original piece opens with the entrance of two dancers on a motorcycle, and never slows down. Danced in tutus and jeans with the women on pointe, it is a delightfully entertaining ballet. Contemporary ballet/dance.
Choreography: Kim Tuttle. 10 dancers. 25 minutes.
L’AMOUR
The soulful sounds of legendary French chanteuse Edith Piaf lend the mood to ‘L’Amour’, a ballet by Kim Tuttle about love in its many forms. The dynamic and expressive performances of DANB principal dancers are showcased in this, the finale of any concert. “The show stopping performance of Principal Dancer Andre Valladon is thrilling”.
Contemporary ballet
Choreography: Kim Tuttle. 10 dancers. 25 minutes.
LA ESMERALDA
The story of a young Gypsy beauty, Esmeralda and her handsome lover is well known from the tale, ‘The Hunchback of Notre Dame’. With dazzling technical challenges and a Gypsy flavor, this dashing pas de deux is fun, exciting, and colorful. An audience favorite. Classical ballet.
Choreography; Perrot/Gorsky/Petipa. 2 dancers. 8 minutes.
LE CORSAIRE
This romantic and technically challenging pas de deux was made famous by Russian ballet star Rudolf Nureyev. The ultimate wild slave contrasting with the beautiful maiden creates a ready made romance. And the dancing – ah, the beauty of the dance! One of the most demanding and breathtaking pieces in the repertoire, it is filled with the highest of leaps and deepest of lunges imaginable. Classical Ballet.
Choreography: Petipa/Chaboukiani. 2 dancers. 7 minutes.
LOVE PAS de DEUX from MADAME BUTTERFLY
The handsome American Lieutenant Pinkerton is preparing to leave his new Japanese wife, ‘Butterfly’ for an unknown period of time. The question is, when or if he will return. The most romantic and lyrical of all pas de deux. Passionate, beautiful, and moving. Based on the opera of the same name. Classical ballet.
Choreography: Kim Tuttle. 2 dancers. 4 minutes.
NESSUN DORMA
A splendid male solo, inspired by St. Augustine’s poem celebrating dance. Emotional, spiritual, and outstandingly athletic. Classical/contemporary ballet.
Choreography: Kim Tuttle. 1 dancer. 4 minutes.
ONE DAY….EVERYTHING!
Against an historic film by film maker Lisa Mills depicting the story of immigrants coming to the United States through Ellis Island, this lovely and haunting ballet creates an unforgettable sense of time and place through softly moving ghostlike figures to the emotional music of resident composer Stella Sung. Contemporary ballet.
Choreography: Judy Skinner.12 dancers. 25 minutes
RAINDROP PRELUDE
Poignant and introspective, this solo, danced while a pianist plays the beautiful Chopin piece of the same name, is a tour de force for a solo male: athletic, acrobatic, lyrical, dramatic, dynamic, and above all, beautiful. Contemporary ballet.
Choreography: Kim Tuttle. 1 dancer. 4 minutes.
RHAPSODY IN BLUE
Pure abstract dance to the wonderful music of George Gershwin as interpreted by dancers and choreographer. Contemporary ballet.
Choreography: Judy Skinner. 6 dancers. 20 minutes.
ROBIN and MARIAN
The love pas de deux from the full-length ballet, ‘Robin Hood’, this is a piece that clearly describes the bold outlaw Robin in his opening bravura solo, then moves to a romantic playfulness between the two lovers in a joyous celebration. Unparalleled technical prowess and expression is demanded of the dancers. Classical ballet.
Choreography: Kim Tuttle. 2 dancers. 7 minutes.
ROMEO AND JULIET BEDROOM PAS DE DEUX
The balcony pas de deux from the full-length ballet revealing the two lovers poignant love. A sweet prelude to a tragic end. Of the highest level art and dance. Classical ballet.
Choreography: Lavrosky. 2 dancers. 10 minutes.
RUBIES Pas de Deux from ‘JEWELS’*
A quirky, edgy pas de deux excerpted from George Balanchine’s ballet, ‘Jewels’. Technically demanding and filled with off-balance extensions, this dance tests the flexibility and control of the couple, all the while demanding a playful sexuality between them. Neo-classical ballet.
Choreography: George Balanchine. 2 dancers. 7 minutes.
SINCERELY
To the great music of the 50’s and 60’s, ‘Sincerely’ plays, cries, celebrates, loves, and teases its way through dance moves that range from the loose-limbed youth in ‘Hound Dog’ to the sexy Latin in ‘Mambo Italiano’ to the lost lovers in ‘Smoke Gets in Your Eyes’. Memorable melodies and beautiful dance create a fun experience for dancers and audience alike. Contemporary ballet.
Choreography: Kim Tuttle. 9 dancers. 25 minutes.
SOAR
Created to celebrate the partnership between DANB and AOTO, Art of the Olympians, ‘Soar’ is a 4 part ballet inspired by the visual art of Olympians Liston Bochette III, Al Oerter and Larry Young. In part I, A young girl plays with a world globe, celebrating mankind’s exploration of movement. In Part II a couple displays the passion that required to achieve excellence in a searing tango. Three couples reflect Al Oerter’s greatness in a requiem and renewal in part III, and the entire company, bearing flags of their nation, celebrate the greatness of the Olympic program in a rousing finale.
Classical and contemporary ballet.
Choreography: Kim Tuttle and Judy Skinner. 11 dancers. 25 minutes.
SPARTACUS
The love pas de deux between the Roman slave Spartacus and his wife, Phrygia. Filled with grandeur and heroism, this is one of the most spectacular pas de deux in the repertoire, with breathtaking lifts and superb depth of expression. An emotional high for viewer and dancer alike. Classical ballet.
Choreography: Yuri Grigorovich. 2 dancers. 8 minutes.
STARS AND STRIPES Pas de Deux*
A brilliantly virtuosic pas de deux between El Capitan and Liberty Bell, this brief and bright homage to Americana is excerpted from George Balanchine’s ballet of the same name. Fun and exciting, it presents dance at its most entertaining. Classical ballet.
Choreography: George Balanchine. 2 dancers. 7 minutes.
TANGO ROSE
The Tango, suburban, sarcastic and sensual was born in Argentina in 1889 and became the expression of its people. It was undeniably the most genuine of all popular music in South America. The ballet uses different tangos to create a loosely woven story of humor, love and peace. Contemporary ballet.
Choreography: Kim Tuttle. 10 dancers. 23 minutes.
TARANTELLA*
This fast and sparkling duet perfectly presents the Italian zest for life. A true test of energy, endurance, and technique filled with brightly colored tambourines and flouncy tutu, this is one of the most fun pieces to dance
and watch in the entire repertoire. Non-stop dancing and smiling. Classical ballet.
Choreography: George Balanchine. 2 dancers. 6 minutes.
*contingent upon contractual agreements with the Balanchine Trust
TCHAIKOVSKY PAS DE DEUX*
A gem of a ballet by Balanchine, this beautiful, lyrical and buoyant piece shows dance at its finest. With lilting melodies and bravura steps, the dancers are lifted up, and in so doing, lift their audiences up as well. Classical ballet.
Choreography: George Balanchine. 2 dancers. 8 minutes.
TZIGANE
A wild Gypsy ride. Thrilling lifts, stunning balances – all in an action packed 6 minutes. This requires a superb partnership with great strength and body control from both dancers. Not to be believed. Classical ballet.
Choreography: Tom Pazik. 2 dancers. 6 minutes.
WHO CARES*
The quintessential light ballet – fun, frothy, melodic, the dancers bend and turn their bodies in jazzy moves to Gershwin’s melodic music blended with the highest level of classical dance. A solo carefree male dances with 3 beauties. They all have a wonderful time, and dance effortlessly. Classical/contemporary ballet.
Choreography: George Balanchine. 4 dancers. 15 minutes.
*contingent upon contractual agreement with the Balanchine Trust
FULL LENGTH BALLETS
- The Nutcracker
- Carmina Burana
- Dracula
- Robin Hood
SCHOOL SHOW BALLETS: (50 minutes long)
- Lady Bug: Action Hero!
- Robin Hood
- The Nutcracker
All choreography by Kim Tuttle
Dance Alive National Ballet is represented by the reputable firm of Siegel Artist Management.
For more info please contact:
 |
Liz Silverstein
1416 Hinman Avenue
Evanston, Illinois 60201
847-475-4224 • 847-323-0016 cell
liz@siegelartist.com |
Dara Schmoyer
610-647-1581office
610-470-6334 cell
Dara@siegelartist.com
www.SiegelArtist.com |
Jennifer Morris
18 Amherst Avenue
Wilkes-Barre, Pennsylvania 18702
570-824-2266 • 617-930-4925 cell
jennifer@siegelartist.com |
