REPERTORY

AEIA BRIDLED

A contemporary look at the relationship between horse and master. Very cutting edge modern style dance. Kobuki styled lighting and original music by Stella Sung and Cirque du Soleil choreographer Rick Tjia adds to the intrigue. Contemporary dance.
Choreography. Rick Tjia. 5 dancers. 20 minutes.

AFTERNOON OF A FAUN

In the middle of a sun-kissed day, a faun tentatively approaches a beautiful young woman. The ensuing dance portrays the tender feelings between them. Contemporary ballet.
Choreography. Kim Tuttle. 2 dancers. 10 minutes.

APOLLO

Choreography. George Balanchine. 4 dancers. 22 minutes.

ARIAS

The gift of song in operatic form is the basis for this eloquent ballet. From "Tosca" to the "Merry Widow", the dancers evoke the great passions of the great operas. A piece filled with variety in movement and mood. Very uplifting. Classical / Contemporary ballet.
Choreography. Kim Tuttle. 10 dancers. 22 minutes.

BOLERO

The signature piece of this company, this sensual masterpiece by Kim Tuttle shows the strength of the company - the sheer love of movement, energy and expression. A very powerful piece, the audience leaps to their feet in applause at the close of the stunning finale. Contemporary ballet.
Choreography. Kim Tuttle. 8 dancers. 15 minutes.

ELEGY

A simple tale of love and war. A flashback danced expressively by a lone woman tells the story of her fallen lover. The story then begins in the village, where the men dance a festive ax dance, the women dance a bright and funny gourd dance, and two lovers from different warring tribes cause conflict. The elder tells the lovers they must part, the lone woman's lover steps in the middle and is shot by a fiery supporter of the tribe, and the Elder is driven out. Love has triumphed, by after death. Contemporary ballet.
Choreography. Kim Tuttle. 12 dancers. 18 minutes.

GRANDE PAS DE DEUX from "DON QUIXOTE"

Perhaps the most well-known single pas de deux in the entire repertoire of ballet, this dance excites the audience with its Spanish flair and technical demands. Only the highest level of dancer can perform this - with balances, lifts, leaps and turns, it challenges the dancer, while thrilling the audience. Can be done with additional dancers.Classical ballet.
Choreography. Marius Petipa. 2 dancers/6 dancers 8 minutes.

FACETS

An abstract ballet using the facets of a diamond to describe aspects of our lives. Exciting, fun, driving movement. Classical/contemporary ballet.
Choreography. Judy Skinner. 8 dancers. 12 minutes.

GRAND PAS CLASSIQUE

A classical pas de deux in the grand tradition, with additional dancers to supplement the impact. Stunningly beautiful, this requires the ultimate in classical dancers.Classical ballet.
Choreography. Victor Gsovsky. 6 dancers. 8 minutes.

INCERTEZZA

Written in 1938, this powerful work was composed as a direct response to the imminent Nazi invasion of Czechoslovakia. Composer Martinu never saw his homeland again. The ballet reflects some of the fear and terror that, brought about by internal or external forces, causes uncertainty. Classical/contemporary ballet.
Choreography. Judy Skinner. 7 dancers. 18 minutes.

KARMA

Actions have consequence. Set to music of the same name composed by Stella Sung, this ballet shows the rape of a young woman and the fate of her attacker. Through the eyes of two angels, we see the bestiality manifested in the man. Strong performances, strong dance, and an interesting story make this riveting theatre. Contemporary ballet.
Choreography. Kim Tuttle. 12 dancers. 25 minutes.

LA ESMERALDA

The story of a young Gypsy beauty, Esmeralda and her handsome lover is well known from the tale, "The hunchback of Notre Dame". With dazzling technical challenges and a Gypsy flavor, this dashing pas de deux is fun, exciting, and colorful. As always, an audience favorite. Classical ballet.
Choreography. Perrot/Gorsky/Petipa. 2 dancers. 8 minutes.

LE CORSAIRE

This romantic and technically challenging pas de deux was made famous by Russian ballet star Rudolf Nureyev. The ultimate wild slave contrasting with the beautiful maiden creates a ready made romance. And the dancing - ah, the beauty of the dance! One of the most demanding and breathtaking pieces in the repertoire, it is filled with the highest of leaps and deepest of lunges imaginable. Classical Ballet.
Choreography. Petipa/Chaboukiani. 2 dancers. 7 minutes.

PSALMS

Based on the Chichester Psalms by Leonard Bernstein, the music is a paean of serenity and childlike humility. Interprets the spiritual intent of various selections of Psalms through inspirational and expressive dance. Abstract classical ballet.
Choreography. Kim Tuttle. 8 dancers. 18 minutes.

RHAPSODY IN BLUE

Pure abstract dance to the wonderful music of George Gershwin as interpreted by dancers and choreographer. Contemporary ballet.
Choreography by Judy Skinner. 5/6 dancers. 20 minutes.

ROBIN and MARIAN

The love pas de deux from the full-length ballet, 'Robin Hood', this is a piece that clearly describes the bold outlaw Robin in his opening bravura solo, then moves to a romantic playfulness between the two lovers in a joyous celebration. Unparalleled technical prowess and expression is demanded of the dancers. Classical ballet.
Choreography. Kim Tuttle. 2 dancers. 7 minutes.

ROMEO AND JULIET BEDROOM PAS DE DEUX

The balcony pas de deux from the full-length ballet revealing the two lovers poignant love. A sweet prelude to a tragic end. Of the highest level art and dance. Classical ballet.
Choreography. Lavrosky. 2 dancers. 10 minutes.

RUBIES Pas de Deux from 'JEWELS'

Choreography. George Balanchine. 2 dancers. 7 minutes.

SAMURAI WEDDING NIGHT

Based on the stark black and white painting of the same name by abstract expressionist Robert Motherwell, the Japanese warrior weds his exquisite lady. With Japanese inspired moves of sheer strength and vitality danced by the Samurai contrasted by the delicate expressive steps of his lady, this pas de deux is hypnotic. Classical ballet.
Choreography. Kim Tuttle. 2 dancers. 8 minutes.

SINCERELY

To the great music of the 50's and 60's, 'Sincerely' plays, cries, celebrates, loves, and teases its way through dance moves that range from the loose-limbed youth in 'Hound Dog' to the sexy Latin in 'Mambo Italiano' to the lost lovers in 'Smoke Gets in Your Eyes'. Memorable melodies and beautiful dance create a fun experience for dancers and audience alike. Contemporary ballet.
Choreography. Kim Tuttle. 9 dancers. 25 minutes.

SPARTACUS

The love pas de deux between the Roman slave Spartacus and his wife, Phrygia. Filled with grandeur and heroism, this is one of the most spectacular pas de deux in the repertoire, with breathtaking lifts and superb depth of expression. An emotional high for viewer and dancer alike. Classical ballet.
Choreography. Yuri Grigorovich. 2 dancers. 8 minutes.

STARS AND STRIPES Pas de Deux

Choreography. George Balanchine. 2 dancers. 7 minutes.

A STREETCAR NAMED DESIRE

Loosely based upon the Tennessee Williams play of the same name, this ballet focuses on the tensions and conflicts between Stanley Kowalski, a rough and crude man, his wife Stella, her emotionally fragile sister, Blanche, and Stanley's friend, Mitch, Blanche's suitor. Dramatic, demanding ballet.
Choreography. Kim Tuttle. 4 dancers. 23 minutes.

TANGO ROSE

The Tango, suburban, sarcastic and sensual was born in Argentina in 1889 and became the expression of its people. It was undeniably the most genuine of all popular music in South America. The ballet uses different tangos to create a loosely woven story of humor, love and peace. Contemporary ballet.
Choreography. Kim Tuttle. 10 dancers. 23 minutes.

TARANTELLA

Choreography. George Balanchine. 2 dancers. 6 minutes.

TCHAIKOVSKY PAS DE DEUX

Choreography. George Balanchine. 2 dancers. 8 minutes.

TRISTAN AND ISOLDE

The love story of Tristan, a Cornish knight, and his beloved, Isolde, an Irish princess tells of a love so deep that it transcended life as we know it. Mystical, magical and mysterious; the dance of the Celtic lovers weaves a spell filled with the passion of love beyond death. Classical ballet.
Choreography. Kim Tuttle. 2 dancers. 10 minutes.

TSUNAMI

Beginning with the calm flow of the ocean, building with strong and riotous currents, the tidal wave which is TSUNAMI rushes to its wild and frenetic climax. Abstract contemporary ballet.
Choreography. Kim Tuttle. 9 dancers. 14 minutes.

TZIGANE

A wild Gypsy ride. Thrilling lifts, stunning balances - all in an action packed 6 minutes. This requires a superb partnership with great strength and body control from both dancers. Not to be believed. Classical ballet.
Choreography. Tom Pazik. 2 dancers. 6 minutes.

VALSE-FANTAISIE

Choreography by George Balanchine. 6 dancers. 8 minutes.

VARIATIONS II

Dancers and Choreographer create their own variations to Bach's wonderful work. Bright, pleasing and lovely to watch, this ballet moves intelligently and with great beauty through the master's music. Classical ballet.
Choreography. Judy Skinner. 7 dancers. 10 minutes.

WAITING

This work was inspired by four photographs by contemporary artist Cindy Sherman. Ms. Sherman is noted for works based on created identities. In this unusual work, poetry and a solo trumpet enhance the dancers, stripped of their own identities and assuming others - a prostitute, a boxer, and a school girl - all delving into their individual thoughts. Contemporary dance.
Choreography. Judy Skinner. 4 dancers. 14 minutes.

WHO CARES

Choreography. George Balanchine. 4 dancers. 20 minutes.

WHO IS SILENT

A strong statement about censorship, based on the widely published and recognized activist work of the same name by Barbara Kruger. Frightening, threatening, and moving. The dancers flee and attack, sigh and scream. Contemporary dance.
Choreography. Judy Skinner. 8 dancers. 12 minutes.